Tuesday, 25 January 2011



  Frieze Art fair 2010

Wednesday, 19 January 2011

Vitamind D: New perspectives in drawing

'A line always suggests a continuation ad infintitum and thus connects us with infinity and eternity.'

Emma Dexter

Tuesday, 18 January 2011

'UNTILED'

'untitled'
light bending

Monday, 17 January 2011

Sunday, 16 January 2011

Repetitive motion


 1.

 2.

3.

looking at the idea of repetitive drawing creating a pattern to then in turn creating am image within the drawing. There is a sense of movement within all the drawings that I have created which I like, and gives them a sense of activity within the work the marks almost reflecting the movement and motion of my hand the pressure that I apply to the page as well and the spontaneity of the marks. 

Thursday, 13 January 2011

Interesting to see how her motion almost becomes robotic by the end of the piece her body language almost becomes uninvolved with the piece like an antagonising i just want to finish sort of attitude, but the development it nice as the lines almost become graphic dense in some areas that in others, as if she has almost lost concentration and for getting the end goal with is to reach the top.

Can a drawing be per-formative?


So I'm currently looking at the idea of developing my work to have a twist of a performative element, the idea of a continuous motion, a repetitive action of direction and movement. How can the style of drawing be elevated into a per-formative piece of artwork.  The act of drawing, the knowing that there was a a physical involvement within the piece without actually having to see the actual. but I guess this is true for all types of work and not just drawing. 





Richard Long A line made by walking (1967) 

Monday, 10 January 2011

Saturday, 1 January 2011

Preliminary Ideas

'line' part 1 (experiment)


'line' part1 (experimentation)

Two images of my work which is in the development stage of a piece of that I would like to eventually create. The complete line is suggesting the idea of a construction  but there yet there of not 3D matter apart form the thickness and length of the material used to create the square. The lines almost act as an extension from the original lines on the floor and wall; so in actual fact the one part of the piece that is 3D, are the 2 extended lines. The lines also create a reflective image (a Shadow on the surface of the wall) both form the side and the front. From the side participially  suggesting a 3D object that isn't even there.